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Cannes: composers climb the stairs to recognition
Often at the bottom of the credits, the composers of film music, in search of recognition, climb the steps of the Cannes Film Festival this Sunday, an appointment of the 7th art which does not reward them unlike the Oscars. “Let’s bring the music to Cannes. The rest will come by itself”, advance with AFP ... Read more

Often at the bottom of the credits, the composers of film music, in search of recognition, climb the steps of the Cannes Film Festival this Sunday, an appointment of the 7th art which does not reward them unlike the Oscars.

“Let’s bring the music to Cannes. The rest will come by itself”, advance with AFP Patrick Sigwalt, composer and chairman of the board of directors of Sacem (Society of authors, composers and music publishers).

This instance is behind this passage of around thirty composers on the red carpet announced for 6:30 p.m. “This is an opportunity to show that composers are essential in the development of a cinematographic work”, underlines Mr. Sigwalt.

And an award at Cannes, is that on the agenda? “I spoke about it with Pierre Lescure (president of the Festival) and Thierry Frémaux (general delegate) during a recent lunch. It would put an end to an anomaly which has lasted too long, but relations with Cannes are today very positive today”, he adds.

Valentin Hadjadj, a composer who works with the Belgian Lukas Dhont (“Girl”, Golden Camera at Cannes in 2018, “Close” presented this year in competition), is part of the delegation which climbs the steps on Sunday.

“An award for film music at Cannes is a debate that has been going on for a long time. I claim the power of music over film”, explains the musician to AFP.

“Perhaps Cannes, by rewarding music, is afraid to open the door to an evening that would reward everything, which would be just as good, as for the Césars, the Oscars. It would highlight the work of the composer who can sometimes be put aside, even if it happened to me very little”.

Bad experiences exist. “Sometimes a director only keeps a few minutes of a whole score in the end, to put it next to already existing songs, it’s frustrating”had recently exposed to AFP Macha Méril, president of the association awarding “the Michel Legrand Prize”, from the name of the creator of the themes of the “Demoiselles de Rochefort” of which she was the last woman.

Valentin Hadjadj unearthed the rare pearl with Lukas Dhont, whom he met in 2013 when they were both students, during a week-long screenplay workshop organized by Sacem.

“What interests Lukas is not to place an order and to have a finished rendering. What he likes is the creative process, that we exchange ideas when I play songs for him on the keyboard next to the him”, describes the musician.

In “Close”, a character plays the oboe and, faced with the nature of this instrument, Valentin Hadjadj suggested that the idea of ​​breath be put forward. Result, “there are a lot of scenes in the fields, a lot of wind, we have remodeled a whole part”, welcomes the composer.

“But that’s normal. After all, the composer is one of the first to receive a script, to give reader feedback”, he adds.

Coming from the National Conservatory of Lyon, Valentin Hadjadj quickly turned away from “contemporary classical music”, which he considers “sclerotic”, to lend an ear to original film music.

He thus has “rediscovered more accessible orchestral music, via blockbusters like + The Lord of the Rings + or + Matrix + at 15-16 years old”.

“Film is an entry point for contemporary music that makes sense, like that of Jonny Greenwood (Radiohead). I also rediscovered classic works on films by Gray Ou Tarkoski who uses Bach a lot” .

“Valentin arrives with a bit of an academic touch at the start, but he was able to get noticed very quickly by the originality of his scores. He is becoming a composer who counts”greets Patrick Sigwalt.

The 30-year-old composer is teeming with desires and no longer quite closes the door to the idea of ​​a solo album.

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Cannes: composers climb the stairs to recognition

Camila Cabello shares the music video for her new single “Hasta Los Dientes” with María Becerra
Three-time GRAMMY® Award-nominated, multi-platinum, chart-topping singer-songwriter Camila Cabello shares the cinematic music video for her new single “To the Teeth” [feat.  María Becerra]. “To the Teeth” made its premiere with a global broadcast on MTV Live, MTVU and the MTV global network of channels, as well as on billboards in Paramount Times Square. It stands ... Read more

Three-time GRAMMY® Award-nominated, multi-platinum, chart-topping singer-songwriter Camila Cabello shares the cinematic music video for her new single “To the Teeth” [feat.  María Becerra]. “To the Teeth” made its premiere with a global broadcast on MTV Live, MTVU and the MTV global network of channels, as well as on billboards in Paramount Times Square.

It stands out as the final single from their acclaimed third full-length album, FAMILYvia Epic Records available everywhere now.

After its premiere, Youtube will organize a afterparty at 10:05 a.m. ET with Camila and the Argentine superstar Mary. YouTube Premium after parties are exclusive Premium live streams with artists. They are an opportunity for members of YouTube Premium Y YouTube Music Premium Engage in real time with your favorite artists hosting a video stream and live chat. It will be live HERE.

One more time, Camila unveiled a stunning visual on par with its reputation for multi-dimensional storytelling. The song brings these two powerhouses together in one song for the first time, merging multiple cultures, styles and flavors like never before.

upon arrival, FAMILY debuted in the Top 10 Billboard Top 200, marking his third consecutive Top 10 release. Right out of the gate, it earned unanimous praise from opinion leaders as his most acclaimed work to date. Pitchfork I observe: “It shows that he is paying attention not only to the cultural exports of his homeland, but to the plight of his people. His heart really is in Havana”, Y rolling stone rated it as “4 out of 5 stars” and exclaimed: FAMILY it’s as raw as it’s been Hair. clash called him ” an exuberant, genre-melting pop celebration. in another review of “4 out of 5 stars”, NME praise: Hair has created his richest and most compelling album yet. Perhaps Guardian put it best: “Trusting and listening to your effort, Hair she’s finally carved out her own space as a pop star.

In addition, he lit Saturday night Live on NBC. The songs have tallied over 1 billion total streams so far!

He initially set the stage for the album with “Bam Bam” [feat.  Ed Sheeran]. The song has amassed over 300 million total streams and 57 million views on YouTube in the music video. She gave a spectacular performance of the single in The Late Late Show with James Corden and joined with Sheeran for its first edition of “Bam Bam” together the Concert For Ukraine from ITV. Inciting widespread applause from critics, vulture hailed him as “a bona fide breakup bop”, Y rolling stone praise: Camila Hair took sugar to all the right places with the launch of its cumbia-infused sauce ‘Bam Bam’ with Ed Sheeran. People praised him as “sunny” Y “staff”, while the fans voted him their “New Favorite Music” in Billboard.

Celebrating the release of the album, he headlined the concert “Family: Welcome to the Family” on his TikTok channel. It was a trend across the platform and included his first performances of music from the album. He drew millions of people into his immersive experience with a virtual world for each song highlighted by amazing choreography, amazing set design, and beautiful costumes. Cheche Alara notably served as music producer, music director, and original score composer for the production.

Coming in conjunction with the album, Bam Bam Y PsychoFreak are custom playable songs in the world’s fastest growing new mobile music gamebeatstar. This exclusive partnership heralds the arrival of Family with the game’s music-obsessed community of 24 million people. 2 million players have already saved “Bam Bam” in their collections, generating more than 7.82 million views.

From beginning to end, Family stands out as his most personal, passionate, and powerful body of work yet.

Let it Camila Hair welcome your Family now!

SONGS LIST:

Family

Celia

psychofreak [feat. Willow]

Bam Bam [feat. Ed Sheeran]

The good life

Quiet

Boys Don’t Cry

up to the teeth [feat. María Becerra]

no doubt

Don’t Go Yet

Lola [feat. Yotuel]

Everyone At This Party

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Camila Cabello shares the music video for her new single “Hasta Los Dientes” with María Becerra

Zoonosis, we continue for bingo
The Ministry of Health reported on Friday that 21 samples from patients with suspected non-human smallpox have tested positivealthough they must still be sequenced in order to determine what type of smallpox it is and rule out, or not, that it is the so-called monkeypox, an infectious disease that in 2003 already spread through six ... Read more

The Ministry of Health reported on Friday that 21 samples from patients with suspected non-human smallpox have tested positivealthough they must still be sequenced in order to determine what type of smallpox it is and rule out, or not, that it is the so-called monkeypox, an infectious disease that in 2003 already spread through six American states.

In any case, the Carlos III Health Institute (ISCIII), which has carried out a partial sequencing of the virus, has already has confirmed seven cases of monkeypox in Spain and the ministry is analyzing different therapeutic options to treat these cases, which are also being registered in the rest of Europe and the world.

About the zoonotic virus that causes this type of smallpox, which belongs to the family of orthopox virus, it is believed that the main hosts are rodents, from where they can pass to humans, monkeys and other apes. And, as far as is known, this pathogen was not part of the potential health threats in the European Union, although experts were alert to a considerable increase in cases in Africa. It must be remembered that the eradication of smallpox meant that vaccination against it was stopped.

We do not yet know what scope this new alert will have in Europe and within our borders, but when it comes to zoonoses, diseases that pass from animals to humans either through direct exposure or food, it is clear that we continue to bingo.

The list is very extensive and the last entry, when we have not yet surpassed it, is the covid-19 pandemic, a disease caused by SARS-CoV-2, which could have made the leap to humans from the pangolin (irrefutable confirmation is lacking). That list includes the black plague, rabies, Creutzfeldt-Jakob disease linked to bovine spongiform encephalopathy (BSE), avian influenza, … and to AIDS (It is believed that in the early 20th century a West African hunter was first infected with a strain of the simian immunodeficiency virus – SIV, the predecessor of HIV).

It is estimated that 70% of the new diseases that have affected humanity in recent decades come from animals and that animals and humans share about 300 diseases.

And there is already an important current in favor of the fact that, since we share a large part of the ecosystems in which we live and there are many infectious microorganisms that affect both, the same efforts are devoted to both human and animal health.

Its about international movement One Health (in English; one health, in Spanish), an approach that began to be introduced in the early 2000s; of a collaborative, multisectoral and multidisciplinary nature, and which is applied at a local, regional and global level, with the aim of achieving optimal solutions for health, taking into account the interaction between people, animals, plants and the environment.

The idea is that, to protect public health, global strategies are needed, which include the health of animals and the environment, which has been greatly altered by human actions, which is causing global warming and deforestation and, with it, the loss of habitat for millions of species that are looking for new places to live, closer to humans. In addition, the globalized world, with the large-scale transport of goods and people, has also contributed to the spread of many pathogens and vectors.

on the move One Health include problems such as antibiotic resistancelargely caused by the overuse of antibiotics in animals for human consumption.

In other words, if we want to try to successfully preserve public health from now on, we had better put a great transdisciplinary and global focus and act diligently and effectively on what, in practice, is a whole: the health of people, animals and the environment.

Albert Einstein (1879-1955, Nobel Prize in Physics in 1921) already warned us: “The world is a dangerous place. Not because of those who do evil, but because of those who do nothing to prevent it“.

We want to say thanks to the writer of this article for this amazing content

Zoonosis, we continue for bingo

La Bourse au bord d’un marché baissier – Et maintenant ? | Investing.com
Le marché s’approche des niveaux d’un marché baissier Qu’il y parvienne ou non, l’environnement du marché a changé. Il existe quelques mesures que les investisseurs peuvent prendre pour s’assurer d’atteindre l’autre côté. Pour obtenir des outils, des données et du contenu qui vous aideront à prendre de meilleures décisions d’investissement, essayez InvestingPro+ >>. Le vendredi ... Read more
  • Le marché s’approche des niveaux d’un marché baissier
  • Qu’il y parvienne ou non, l’environnement du marché a changé.
  • Il existe quelques mesures que les investisseurs peuvent prendre pour s’assurer d’atteindre l’autre côté.
  • Pour obtenir des outils, des données et du contenu qui vous aideront à prendre de meilleures décisions d’investissement, essayez InvestingPro+ >>.

Le vendredi 20 mai, le S&P 500 est officiellement passé en territoire de marché baissier, communément défini comme une baisse de 20 %. Cela n’a duré que quelques heures avant que le ne se reprenne pour finir juste au-dessus de ce seuil, mais nous restons au bord du précipice. Le n’est en baisse que de 15% par rapport aux sommets, et le reste en baisse de 30%. Si l’on fait abstraction des aspects techniques, les ventes soudaines d’actions comme Wal-Mart (NYSE:) ou Cisco (NASDAQ:), combinées à la baisse de plus de 25 % des “généraux” du marché boursier comme Apple (NASDAQ:) ou Alphabet (NASDAQ:), nous donnent le sentiment que quelque chose a définitivement changé.

L’un de nos défis en tant qu’investisseurs est de maintenir la discipline avec nos principes à long terme tout en actualisant notre compréhension des marchés lorsque les faits changent. Rien de tel que le marteau d’un gros chiffre rond comme une baisse de 20 %, avec BEAR MARKET en lettres rouges clignotantes, pour faire face à ce dilemme.

Comme beaucoup d’investisseurs, je n’ai pas vraiment traversé un marché baissier complet – j’ai commencé à investir en 2011. L’année 2018 a été proche d’un marché baissier, mais nous avons rebondi juste avant la marque des 20 % et sommes revenus à la tendance haussière des années 2010 en direction de la pandémie. Le krach de mars 2020 était officiellement un marché baissier, mais les marchés ont rebondi si rapidement qu’il est difficile de le comptabiliser (les investisseurs à petite capitalisation comme moi peuvent faire valoir que nous avons été plus durement touchés, mais tout le monde a tout de même vu une reprise complète et plus encore en l’espace d’un an environ).

Bien qu’il soit possible que nous répétions 2018 et que nous nous débarrassions de la peur du marché baissier pour revenir à de nouveaux sommets, je serais surpris. Voici donc plutôt quelques idées pour s’adapter :

Remonter les ancres

Les deux dernières années ont été très étranges. Nous avons eu une pandémie qui représentait un énorme risque sanitaire mondial, la réponse à cette pandémie a nécessité des perturbations économiques, et la réponse à cette pandémie a été des dépenses publiques élevées et une politique monétaire souple. Tout cela s’est produit à la suite d’un marché haussier de plus de 10 ans qui a laissé de nombreuses actions avec des valorisations tendues.

Je ne dis pas cela pour revenir sur les choix politiques, économiques ou d’investissement qui se cachent derrière tout cela, mais pour souligner que les prix que nous avons vus ces deux dernières années n’ont aucune signification. Comme l’a dit le célèbre capital-risqueur et investisseur technologique Bill Gurley : “1) Les précédents sommets “historiques” ne sont absolument pas pertinents. Ce n’est pas “bon marché” parce que ça a baissé de 70%. Oubliez que ces prix ont existé.”

Les tendances que nous pensions éternelles pendant la pandémie, comme le travail à distance via Zoom (NASDAQ:) ou les achats en ligne, se sont révélées moins durables. Les tendances que nous pensions voir disparaître, comme l’inflation, n’ont pas disparu. Et pendant tout ce temps, les marchés ont semblé se contenter de fixer les prix comme si seuls le dernier trimestre et le trimestre suivant comptaient. Cela crée des opportunités, mais il est également facile de se laisser entraîner.

Nous évoluons dans un environnement fluctuant, où certains des changements survenus ces deux dernières années se maintiendront, d’autres changements que nous n’avions pas anticipés apparaîtront, certaines choses redeviendront exactement comme avant, et d’autres redeviendront comme avant, mais avec de réels changements. Nous investissons dans des cibles mobiles. Les sommets de mars 2021 ou de janvier 2022 ne sont pas plus utiles pour atteindre ces objectifs que les creux de mars 2020.

S’en tenir aux actifs durables

“Le prix est ce que vous payez, la valeur est ce que vous obtenez”, dit le vieux dicton de Warren Buffett. L’une des choses que nous pouvons contrôler en tant qu’investisseurs est de nous assurer que nous connaissons les actifs que nous possédons et que nous savons qu’ils peuvent survivre à n’importe quel scénario. Les entreprises qui peuvent survivre aux récessions et même réaliser des bénéfices pendant celles-ci en sortent souvent plus fortes. Mais si vos entreprises ne parviennent pas à passer de l’autre côté, ce rebond ne vous aidera pas.

Lors de la vente de Covid, je n’ai rien vendu au plus bas, mais j’ai étudié des scénarios extrêmes du type “que se passerait-il si l’économie s’arrêtait pendant un an” pour mon portefeuille. Lors du rebond initial, je me suis débarrassé de Garrett Motion (NASDAQ:), une société dont le bilan était alors endetté, qui était exposée à un secteur qui ne me passionne pas (l’automobile) et qui avait des problèmes de litiges. La société a bien fonctionné pour certaines personnes, mais à l’époque, elle ne semblait pas être le bon type d’action à conserver pendant la pandémie, dans le pire des scénarios.

Cette fois-ci, c’est davantage la dégradation progressive des marges, l’évolution de la demande ou la perte de compétitivité qui m’effraient. Je commence à me débarrasser de Just Eat (LON:) Takeaway (OTC:) – l’effet de levier sur le bilan et l’impression qu’ils ne sont pas à la hauteur de la concurrence – et je jette un regard beaucoup plus sévère sur AerCap (NYSE:), qui me semble être une bonne valeur du point de vue de la protection contre la baisse, mais dont la hausse ne vaut peut-être pas la peine.

Quel que soit votre scénario de risque, il vaut la peine de s’assurer que vos entreprises y survivront (et si vous êtes un investisseur en crypto-monnaie, eh bien, bonne chance). Il est vrai que les noms les plus “junk” seront plus valorisés lorsque nous arriverons de l’autre côté d’un marché baissier. Mais “atteindre l’autre côté” est une grande partie de l’équation.

Regarder vers l’avenir

Le corollaire de ce point est qu’il est important d’analyser les entreprises et de comprendre comment elles vont se comporter. Il ne suffit pas de prendre le ratio cours/bénéfice des douze derniers mois pour, par exemple, Target (NYSE:), et de dire “moins de 13x, ça a l’air bien !”.

Les gens vont-ils continuer à dépenser chez Target alors que les dépenses gouvernementales diminuent et que les dépenses de consommation sont peut-être même touchées ? Ou Target peut-il maintenir ses marges d’exploitation, la grande question de l’appel récent ? Et Target peut-il se préparer à des habitudes de dépenses très changeantes ?

Le même genre de questions s’applique aux sociétés de consommation discrétionnaire, aux constructeurs de maisons ou aux sociétés de produits de base. Lorsque le jeu change, comment ces sociétés s’en sortent-elles ?

Prenez ce que le marché vous offre

L’un des plus grands tours que le marché a joué aux investisseurs de style valeur au cours des deux ou douze dernières années, selon le point de vue, a été de les attirer vers les placements de croissance.

“Sur un horizon temporel suffisamment long, la croissance des revenus est tout ce qui compte vraiment”, nous a dit le marché.

“Les sociétés à rendement élevé sont bonnes, les sociétés à valeur ajoutée sont mauvaises”, a affirmé le marché.

“Je préfère acheter une grande entreprise à un prix raisonnable qu’une entreprise raisonnable à un prix exceptionnel”, a déclaré le célèbre investisseur de croissance, Warren Buffett.

L’argument de Buffett, venant de l’investisseur de valeur, souligne l’importance d’un esprit ouvert. Je sais que j’ai ressenti une pression ces dernières années pour ouvrir mon portefeuille à davantage de sociétés technologiques avec des modèles économiques de revenus récurrents et des chiffres de croissance sexy. Prenez Duolingo (NASDAQ:) : J’aime beaucoup cette société en tant qu’utilisateur, je pense qu’elle a une histoire de croissance forte, une histoire dont la société a fait valoir de manière convaincante qu’elle n’est pas alimentée par Covid, et c’est le rare titre technologique où la croissance des revenus pourrait s’accélérer. C’est une bonne chose.

Je ne sais pas non plus quand Duolingo deviendra rentable étant donné leurs promesses de continuer à investir beaucoup dans la recherche et le développement. Y a-t-il un prix auquel je ne me préoccuperai plus de cela ? Peut-être, mais il est beaucoup plus bas qu’il ne l’aurait été dans le marché de l’année dernière où la croissance fonctionne toujours.

Au lieu de cela, les entreprises qui devraient avoir une dynamique opérationnelle marginale en 2022, ou les entreprises qui ont une rentabilité solide et des valorisations propres, sont celles que je cherche à ajouter. Les entreprises du secteur du voyage devraient voir leurs chiffres s’améliorer et certaines d’entre elles ont encore des valorisations correctes – je possède et souhaite ajouter des titres à Booking Holdings (NASDAQ:) et Grupo Aeroportuario del Centro Norte SAB de CV (NASDAQ:). Les valeurs financières bénéficient de la hausse des taux d’intérêt, et j’ai ajouté des actions de Discover Financial Services (NYSE:) à mon portefeuille pendant ce repli.

Cela sera-t-il suffisant pour éviter les pertes ? Peut-être pas, mais ce sont toutes de bonnes sociétés qui devraient bien se comporter sur une base fondamentale dans les 12 à 24 prochains mois.

Le marché haussier des années 2010 est terminé

J’ai dit plus haut que nous devions nous débarrasser des prix de l’époque de la pandémie comme points de référence. Il est toutefois utile de se reporter à l’effondrement des dot com. À cette époque, un grand nombre d’entreprises de nouvelles technologies ont atteint des sommets incroyables, les investisseurs pariant sur la perturbation, la croissance illimitée et les mesures modernes. Cela a également entraîné un grand nombre de valeurs sûres et le marché au sens large vers de nouveaux sommets. Puis, le marché baissier s’est installé, et le Nasdaq est resté à la traîne pendant une bonne décennie.

Les années 2010 ont été marquées par le marché de l’achat de la baisse, le marché des perturbateurs technologiques, le marché du logiciel en tant que service et le marché de la qualité >> valeur. Le marché ne s’est pas trompé dans ses prix, car les investisseurs ont compris la valeur des revenus récurrents et la puissance des nouveaux modèles économiques.

Mais il n’est pas utile de supposer que ce qui a fonctionné à l’époque fonctionnera à l’avenir, pas plus que cela n’a été utile dans les années 2010, lorsque les permabears s’attendaient à ce que le prochain krach soit imminent. Un grand nombre des domaines perturbateurs de la dernière décennie ont été perturbés, surfinancés et laissés sans valeur ajoutée – la livraison de nourriture comme Just Eat Takeaway en est un bon exemple.

Il se peut que nous nous reprenions comme en 2018. Certains des gagnants des années 2020 ressembleront aux gagnants des années 2010. Dans le même temps, il sera judicieux d’adapter les règles du jeu à un nouvel environnement.

Cela aussi passera

Les marchés baissiers ne sont amusants pour personne, sauf pour les permabears (qui, comme je l’ai dit, ratent souvent les hausses). Mais ils passent. Les années 1970 ont été une période difficile, tout comme les années 2000 : les marchés qui ont suivi ont été d’énormes hausses.

Cela ne me semble pas être une situation de fin du monde pour l’économie. Le chômage est très bas, les dépenses de consommation restent fortes et les bénéfices des entreprises sont élevés. Les bénéfices et les marges des entreprises vont probablement en prendre un coup, ce qui provoquera à la fois une récession et un marché baissier, mais l’environnement actuel semble moins effrayant que la crise financière de 2008 et le crash de la pandémie de 2020, du moins cette période initiale de mars.

Les investisseurs doivent donc se protéger, actualiser leur réflexion et se préparer. Mais si nous investissons avec de l’argent destiné au long terme, que nous disposons de plus de liquidités à investir dans notre portefeuille et que nous détenons des positions dans des entreprises aux bilans stables et aux bonnes perspectives, nous pouvons nous permettre d’être patients. Le marché baissier sera un test, et nous aurons besoin de cette patience.

***

Dans le marché actuel, il est plus difficile que jamais de prendre les bonnes décisions. Pensez aux défis :

  • Inflation
  • L’agitation géopolitique
  • Technologies perturbatrices
  • Hausse des taux d’intérêt

Pour y faire face, vous avez besoin de bonnes données, d’outils efficaces pour les trier et d’un aperçu de leur signification. Vous devez éliminer les émotions de l’investissement et vous concentrer sur les éléments fondamentaux.

Pour cela, il y a InvestingPro+, avec toutes les données et les outils professionnels dont vous avez besoin pour prendre de meilleures décisions d’investissement. En savoir plus >>

Responsabilité
Je suis long sur AAPL, JTKWY, DFS, AER, OMAB, et BKNG, et j’envisage de vendre JTKWY et AER, et d’acheter TGT et plus de DFS et BKNG.

We wish to thank the writer of this short article for this amazing web content

La Bourse au bord d’un marché baissier – Et maintenant ? | Investing.com

Colinas delves into his “testimony of a life” with the fourth installment of his ‘Harmony treatises’
The poet Antonio Colinas in the Plaza Mayor of La Bañeza. / Ruben Cacho The poet from Bañeza signs a new volume of a project that has been going on for 36 years, where he combines aphorisms, thoughts, prose poems, travel books and diaries «I started working on ‘Treaty of Harmony’ in the early days ... Read more

The poet Antonio Colinas in the Plaza Mayor of La Bañeza. / Ruben Cacho

The poet from Bañeza signs a new volume of a project that has been going on for 36 years, where he combines aphorisms, thoughts, prose poems, travel books and diaries

«I started working on ‘Treaty of Harmony’ in the early days of 1986. (…) I don’t think one can speak of ‘thoughts’ when judging the genre of this book. Aphorisms, reflections, impressions, contemplations? Perhaps I would decide on this last meaning, since almost all the parts of the book were born from an objective and serene contemplation, from an impression lived unhurriedly in the midst of pure nature».

With these preliminary words, in 1991 Antonio Colinas presented the first installment of his ‘Treaties of Harmony’, a “testimony of a life” that has just reached its fourth installment, after the publication in 1999 of ‘New Treaty of Harmony’ and in 2010 of ‘Three Treaties of Harmony’. Always hand in hand with Tusquets, the poet from Bañeza, who settled decades ago in Salamanca, now deepens with ‘Treaties of Harmony’ in what is perhaps his most personal literary and vital project with more than 200 new pages added to the three treatises which are also included in this new book, somewhat “revised and polished” by the author.

«I have always worked in various genres, with a special predominance of poetry, which offers us an ideal language to transmit things, but at that time I began to write a series of different texts, which we could consider as aphorisms or thoughts, fragments of a trip or diary, or even prose poems. Those moments, which arose from special situations, led me to start this series of texts that I always recommend”, explains the poet to Ical.

Colinas explains that “this book is a testimony of a life, because there is a lot of life in it, especially from the years in Ibiza, with that protagonism of nature, but there is also the constant dialogue of my origins, of our land, with that Mediterranean world with which I came into contact in the four years in Italy, and which now sometimes appears. It is also a travel book in two ways, physical and interior », he underlines.

five sections

Thus, this fourth treatise on harmony, which is by itself as voluminous as the previous three together, is made up of five independent chapters. The first is dedicated to ‘A reading of Pasternak’, where the author of ‘Sepulcher in Tarquinia’ approaches the Russian Nobel Prize, reeling off his masterpiece (‘Doctor Zhivago’) to vindicate «the independence of the intellectual against the barbarity of the war”, a theme sadly “very much alive” today, after the Russian invasion of Ukraine.

Next, in ‘The advanced autumn of life’ he invites the reader to “impose another rhythm on life”, going through some personal readings or rereadings accompanied by his favorite musical accomplices, while the harshest days of confinement slip between the pages (“In these weeks of seclusion there are days, hours, moments, in which it seems to me that my life is a blank page,” he writes).

The volume then dedicates two separate chapters to two trips that Colinas made to Israel and Palestine (which he includes in his ‘Jerusalem Notebook’) and to South Korea (‘En la Montaña Kumgang’, which he qualifies as “the top of the tops, a sacred mountain for all, that knows no centuries, nor conflicting words, nor extreme ideologies”), with which he considers closed “what there may be of a story in the book”. It was the outbreak of the pandemic, precisely, that made him look for a different closure to the volume, which concludes with the section ‘On Breathing’.

«Throughout my life I have worked a lot with the fact and the theme of breathing. In line with the current situation, I thought that the closing would have to be related to it, not only with physical breathing, because if you don’t breathe sick and die, but also with that inner breathing, breathing the rhythm of the poem, with the idea of ​​harmony in short, that it is not only born from a pleasant state, of fullness, but that it comes after difficulties, trials or the death of loved ones. That is when harmony appears, which is not a term to accept lightly », he reflects.

look inside

After warning him that in Central American countries such as Honduras or El Salvador they use the term harmony as a synonym for curiosity, Colinas acknowledges that in his ‘Harmony Treaties’ “there is a lot of searching.” «Poetry is a way of being and being in the world, but it is also a search, it is a way of knowing. The reader will see that in this book I ask myself many questions, for some I have found an answer and I hope that the reader will also find it », he points out.

In the final coda of the fourth treatise, Colinas invites the reader to “look inward and breathe”, something that, as he himself admits, “in these times is perhaps difficult.” “What matters is the golden moment, the present. As Machado said, the past no longer exists and the future has not yet arrived, so when one is locked up there is no choice but to look and travel within, and in this interior journey the practice of physical breathing counts a lot and also existential, of an orphic character”, he points out.

In his ‘Harmony treatises’ the reader will recognize the “global vision of a different life”, the one that the author has “humbly” had to live, since in his childhood he already perceived that “he saw everything in a different way”. That initiatory moment gave way in adolescence to the “outburst of poetry and writing”, after which his whole life has been “subordinated to the testimony of writing”.

«Among other things, the reader will find in these pages an ‘extraterrestrial’ life, the life of a person who apparently is out of reality but, as I always say, the poet is not only not out of reality, but works with reality, and in the book you can see how that reality assails us every moment. Especially when the presence of ideological totalitarianism of one sign or another appears in the last parts, which lead to wars like the present one. That is why, coincidentally, the book has a certain topicality at the moment », he concludes.

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Colinas delves into his “testimony of a life” with the fourth installment of his ‘Harmony treatises’

10 Times Great Actors Portrayed Other Actors – CNET – ApparelGeek
It’s hard enough for a talented actor to bring a character to life on screen, but with the growing excitement for upcoming biopics like Tom Holland’s on Fred Astaire, it’s important to note that he’s still more difficult to represent a well-known face. Indeed, many actors have taken up the challenge of playing other people ... Read more

It’s hard enough for a talented actor to bring a character to life on screen, but with the growing excitement for upcoming biopics like Tom Holland’s on Fred Astaire, it’s important to note that he’s still more difficult to represent a well-known face. Indeed, many actors have taken up the challenge of playing other people in their craft.

Many of them did it on an award-winning level, while some may have played the part in a largely comedic fashion. Regardless of the intent surrounding the project, or whether it was based on a biopic of this actor, these artists beautifully captured an aspect of the real-life personalities they were tasked with becoming.

ten Honorable Mention: Steve Coogan and John C. Reilly – Laurel and Hardy (2018)

Laurel and Hardy were two creative geniuses, who will forever be ingrained in the comedy industry. When working on the biopic Stan and Ollie who sought to portray both their friendship and their rise to stardom, Steve Coogan and John C. Reilly were cast in the huge roles.

The pair bounced off each other effortlessly, portraying the kind of chemistry this comedy duo was so known for. While the script of course helped tie the emotional threads, it was the charismatic and heartwarming performances from its stars that would see BAFTAs, Golden Globes and other award nominations presented to the cast.

9 Mike Moh – Bruce Lee (2019)

Tarantino’s marks were everywhere Once upon a time in… Hollywood, including his quirky sense of humor. A hilarious moment in this film, which sought to depict the golden age of cinema, saw Mike Moh portray a parody iteration of Bruce Lee.

The sequence saw this fictional Lee trying to fight Brad Pitt’s Cliff Booth. The performance was over the top and the payoff, with Lee not quite holding his own end of the martial arts duel, made the storyline even more absurd. This is absolutely one of the highlights of the photo.

8 Jim Carrey – Andy Kaufman (1999)

The late Andy Kaufman was a man of many talents. His comedic timing was perfect, he entered the music industry as a singer, and he was a well-respected actor. His work speaks for itself, but it took a man of supreme reach to take on such a monumental role.

Jim Carrey’s time in Man on the Moon was enough for audiences to consider it one of his best films. Carrey morphed into the role, earning numerous accolades for the actor, including a Golden Globe win. His infectious energy, his ability to deliver Kaufman’s jokes with such integrity, and his understanding of the man himself all contributed to a brilliant tribute to the artist.

7 Michelle Williams-Marilyn Monroe (2011)

Marilyn Monroe is a Hollywood icon. Her very figure is globally recognized and her filmography is full of incredible credits that have helped define the movie industry. It is a difficult task to somehow encapsulate the grace and glamor of such a performer.

Michelle Williams dared to take on the role and completely exceeded all expectations. She was transparent with Monroe, her performance becoming a nuanced character study of such a complex figure. My week with Marilyn was rightly announced thanks in large part to Williams, who received an Oscar and BAFTA nominations for his efforts.

6 Renee Zellweger – Judy Garland (2019)

Judy Garland rose to fame through her work on The Wizard of Oz. While the actress will always be an integral part of the film industry, her talents have extended beyond the studio lot, bringing glitz and glamor to her stage performances. But Garland led a complicated life and demanded honest representation.

Renée Zellweger was the actress who sought to embody who Garland really was. The image, Judy, is a magnificent film that manages to truly encapsulate the highs and lows of such a celebrated career. Zellweger excelled and is barely recognizable, enchanting audiences in the role so much that she won an Oscar!

5 Robert Downey Jr. – Charlie Chaplin (1992)

Charlie Chaplin is arguably the first movie star. His work in silent format was groundbreaking. It’s hard to find a filmmaker today who hasn’t been influenced by his work in some way. He was as much an artist as he was a brilliant showman and someone capable of representing all facets of humanity’s emotional gamut.

Robert Downey Jr. might have seemed an unlikely choice to play Charlie Chaplin at the time, but Chaplin was such a love letter to the actor, and RDJ’s charm and charisma completely sold the transformation. An Oscar nomination and BAFTA win greeted Robert Downey Jr. after completing the well-received project.

4 Angela Bassett – Tina Turner (1993)

Tina Turner is often referred to as the queen of rock n’ roll, a true pillar of the music industry. It’s not just her voice that showcases her talents, as Turner has also dabbled in acting, with roles in franchises like Last Action Hero and Mad Max beyond Thunderdome.

Any actress playing the role had to try to portray a stage star, who had also dabbled on screen. Angela Bassett stepped into the role and it is arguably the best entry in her filmography. What’s love got to do with it? was an inspired work of cinema, with Bassett tearing up the stage with a magnificent example of his work; the one that earned him an Oscar nomination!

3 James Franco – Tommy Wiseau (2017)

Tommy Wiseau is a complete legend of the B-movie genre. He may have made one of the worst movies of all time, but it’s a cult classic due to its abysmal acting, terrible script, and hilarious cinematography. Wiseau is the erratic genius behind Bedroom and he’s quite the character himself.

The Disaster Artist sought to try and portray the behind-the-scenes action of creating such a bizarre production. James Franco played Wiseau himself and completely nailed the performance. He was almost indistinguishable when playing back some of the most famous scenes from Bedroom. His Oscar nomination only proves it.

2 Cate Blanchett – Katharine Hepburn (2004)

Katharine Hepburn’s career spans decades, as Hollywood’s Golden Age came alive with the actress’ electric performances. There was no limit to what she could accomplish and she continues to be celebrated as the icon she truly was. Interestingly, she had a huge role in a biopic about Howard Hughes.

the aviator Leonardo DiCaprio played the lead role, but it’s Cate Blanchett’s turn as Hepburn that becomes so compelling. She steals every scene and somehow captures the tiny Katharine Hepburn details that other performers might have missed. Blanchett eventually won an Oscar because of this focus and talent.

1 Eddie Murphy – Rudy Ray Moore (2019)

Rudy Ray Moore’s comedy style was completely revolutionary. It has, however, made a name for itself under another title: Dolemite. With this character, his stand-up was taken to another level and he started producing amazing movies both unconventional and genre.

Eddie Murphy effortlessly created this on-screen personality once again in Dolemite is my name, which saw Moore’s journey from stage to screen with all of his hilarious missteps. It was a tour de force for Murphy whose talents should never be in doubt. Muphy’s comedic timing is perfect here, and his American Film Award win along with numerous other nominations and wins are a testament to his performance.

We want to give thanks to the author of this write-up for this remarkable material

10 Times Great Actors Portrayed Other Actors – CNET – ApparelGeek

Straslodge: the concierge at the service of the small world of AirBnB rentals
In 2018, Strasbourg had 4,700 accommodations rented in AirBnB, according to the AirBnB Observatory – an independent body collecting data to “understand the AirBnBsation of French cities”. That is 12 dwellings per thousand inhabitants on average. While more and more individuals are putting apartments on short-term rental platforms, they are also often faced with logistics ... Read more
1653210457 3 Straslodge the concierge at the service of the small world

In 2018, Strasbourg had 4,700 accommodations rented in AirBnB, according to the AirBnB Observatory – an independent body collecting data to “understand the AirBnBsation of French cities”. That is 12 dwellings per thousand inhabitants on average. While more and more individuals are putting apartments on short-term rental platforms, they are also often faced with logistics that are not always easy to manage. Based on this observation, Julien Lehmann and Eric Alamercery created Straslodge, a concierge company offering a whole range of services to facilitate their activity.

It is 10 a.m. in the Les Halles district. The metal curtain of the agency rhinestonesIodge has just gotten up, but Julien is already at his post behind the reception desk, his eyes riveted on his two telephones. For the young CEO of this concierge service and short-term rental management, the day always begins with checking arrivals and departures. Assessment of this Friday: five entries, four exits. It’s averagedetails the co-founder of the company. During the Christmas market, bridges or the summer season, you can go up to fifteen arrivals per day.

Around 10.30 a.m., it’s time to clean up the accommodations vacated the same day. Once this census has been carried out, Julien sends a message to all arrivals, to specify the schedule for handing over the keys. And it’s a whole logistics that engages. Emmanuella, one of the two salaried cleaners, drops by the agency to pick up the bags of linens, washed and prepared in the laundry room in the basement, then gets on the company’s electric cargo bike to do the round of housing to be cleaned – mostly located in the city center.

1653210457 696 Straslodge the concierge at the service of the small world
© A.Me / Pokaa

Management formulas adapted to needs

Founded five years ago, Straslodge now manages the short-term rental of 22 properties in Strasbourg, via AirBnB and Booking: “Before the Covid, we had about fortyexplains Julian. The pandemic has done a lot of damage to tourist activity in Strasbourg“. ” We offer formulas with or without commitment continues the manager. The first includes the personalized welcome of the tenants, the cleaning of the accommodation and its management.

We take care of the creation of the ad and the implementation of the Channel managercontinues the CEO. It is an IT tool that allows us to manage rentals simultaneously on both platforms. An individual must juggle between the two, reconnecting each time on one to report that dates have been blocked on the other. The risk, often, is double booking. And it is then necessary to justify the cancellation of the stay with the platform, the tenants… » The Channel manager avoids this kind of disappointment, and makes things easier when the owner wishes to set dates to occupy his accommodation.

Simultaneous management on the platforms also avoids “erroneous pricing”. That is to say prices that are too low in relation to the market, over a given period – as during the Christmas market for example. ” An individual who wishes to rent his property because he has a loan will want it to be reserved very quickly and will tend to offer lower prices than the average. This is not necessarily a good strategy“, details Julien.

The formula with commitment amounts to 18% of the price of each night, to which cleaning costs must be added. That without offers offers for the service, according to the needs of the owners. It may just be cleaning or handing over the keys.But we remain available for advice on the management of the property if necessary.“, Ponders Julien. His sentence barely finished, the phone rings. This is precisely an owner who chose to call on Straslodge for various services without entrusting the management. ” He needed help with his ad“, explains the CEO, a few minutes later.

Straslodge has a laundry room in the basement for the preparation of household linen. Once cleaned, the sheets are divided into bags. One per accommodation, which will then be transported by electric cargo bike. The agency also takes care of the restocking of a certain number of products for housing, if the owners request it. Dishwashing liquid, detergent, tea or coffee charged at cost.

1653210457 175 Straslodge the concierge at the service of the small world
© A.Me / Pokaa

“It’s a job with a lot of human contact”

However, the management offered by Straslodge goes well beyond the validation of reservations. The agency has a whole address book of local craftsmen to call on in the event of a problem – water damage, problem with locks, electricity, etc. Julien is also on deck every day of the week to respond to tenants ” on the platforms, or by telephone. If there are problems with the toilet flushing, a blocked door, or a wifi they can’t connect to…

Sometimes it moves straight. ” During the curfew, two students rented one of the AirBnBs we managed to organize a huge Project X party. The police came. I came back from vacation to go there and explain to them how problematic what they had done was. It is something that we can do because we work at the local level. There is a real proximity with our customers and our tenants that Parisian companies that develop this kind of service in the region do not have. It’s a job with a lot of human contact.

3 p.m., at the agency. Beyza closes the door before heading off on her electric scooter towards the docks. Alternating in communication and marketing, she is in charge of welcoming two German tenants for an AirBnB located on the banks of the Ill, near the Pont aux Corbeaux. The young woman climbs the four floors to check that everything is in place before the arrival of visitors. Tea and coffee are available. The cards giving the wifi code and some instructions are clearly visible on the table. As well as a sheet suggesting some places to go out in Strasbourg. Last round of the play. Opening the windows to refresh the living room – which offers a very beautiful view of the spire of the cathedral.

After a short quarter of an hour of waiting – due to a slight difficulty in finding the right building – the tenants finally show up in front of the entrance. The welcome is in English and Beyza once again climbs the floors to present the apartment and all its amenities. They will stay four days and will only have to put the keys on the table before slamming the door on leaving.


rhinestonesIodge

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*Article supported but not reviewed by Straslodge.

1653210458 793 Straslodge the concierge at the service of the small world

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Straslodge: the concierge at the service of the small world of AirBnB rentals

Miguel G. Morales: “The artist must touch society with his work”
He arrived in Manrique from Saramago. At that time, Miguel G. Morales was a young director from Televisión Canaria, who arrived in Lanzarote with Juan Cruz and a mobile unit to broadcast an interview with the Nobel Prize winner for literature: “He asked him about Manrique; they never met (they did meet on the phone, ... Read more

He arrived in Manrique from Saramago. At that time, Miguel G. Morales was a young director from Televisión Canaria, who arrived in Lanzarote with Juan Cruz and a mobile unit to broadcast an interview with the Nobel Prize winner for literature: “He asked him about Manrique; they never met (they did meet on the phone, but they did not coincide on the island) and Saramago gave a vision of Manrique that I had never seen before. I realized that everything I had been taught as a child was just brush strokes and I was fascinated by his words.”

He assures that many of his first works arose from the rage of discovering extraordinary stories that no one had previously told him about: he learned in Madrid, studying film aesthetics, that André Breton was in Tenerife and wrote the starry castle and from rage was born Isolated. The essence of a spirit; he discovered the great figures of Canarian art and the origins of his career of long hours in front of the archive emerged. Thus, from the rage of what was left in the shadow were also born Maud, the two that crossabout Maud Bonneaud, together with Teresa Correa, On the wing of sleepabout Juan Ishmael, A light on the island, by Domingo Pérez Minik. Even with everything, the filmmaker assures that in these first works he had not yet found the look he was looking for.

With Saramago’s words in mind, Miguel G. Morales began to play with the idea that chance would give him an opportunity to manage his anger again, his thirst for sharing stories. From this impulse arises Taro, the echo of Manrique, the first of the filmmaker’s works based on the author’s work. Ten years later, Miguel G. Morales recalls his beginnings regarding the premiere of his latest feature film: Utopia Manriquea film that is part of the exhibition project Cesar Manrique. It’s a pleasure with a script by Fernando Gómez Aguilera, co-produced by the César Manrique Foundation (FCM) and Radiotelevisión Española (RTVE) and which was released just a few weeks ago. In this decade, says the filmmaker, he has never tired of continuing to investigate the character.

“I feel that in these years I have tried to find a kaleidoscopic view of Manrique. In Taro, the echo of Manrique it was about showing the process in which an artist puts his body and his personality at the service of environmental and political activism; in Foreman, a short film about the figure of his assistant, Luis Morales, we talk about the nexus, about the person who transmits ideas to the workers, and about this figure that is so important for the history of Lanzarote that is Luis Morales; in Hands, the focus is on the vision of those who supported and carried out Manrique’s ideas, who placed them on their own land. This kaleidoscope look closes when the Foundation proposes to me to work on the concept that was already implicit in the exhibition itself, it is proposed to prepare a feature film for the centenary and Utopia Manrique”.

In Utopia Manriqueexplains Miguel G. Morales, the gaze is placed on the construction, by the artist himself, of his character, born from his work, from his overflowing personality, from his commitment to the Island, but also from his ability to communication and media projection: “It is a film about how the character is built: César Manrique’s journey in Madrid and New York, which had never before been told in the form of a film, and how when he returns to Lanzarote he already has the idea of ​​creating the spaces he wanted to create, where “his truth” was, and how he already knew perfectly well the communication mechanisms of the mass media, which makes him an executor of marvelous iconic images”, points out the director of the film, who points out that this Knowledge of the media does not mean that the character is a fiction: “That image of Manrique is based on his own essence, totally natural and hedonistic, without any kind of fictional halo”.

In fact, Miguel G. Morales considers that Manrique’s greatest work was raising civil awareness, “teaching to see, transmitting a sensitive desire for the territory and the landscape”, which the citizens of Lanzarote internalized: “It was already unusual at the time , but I think that today an artist so committed to his time would continue to be unusual”, he points out. “I firmly believe that the artist should try to touch society with his work.”

The challenge of telling new stories around the figure of César Manrique was not only focused, explains Morales, on turning his kaleidoscope towards a new perspective of the artist. It was also about bringing to light a new audiovisual archive, images that until now had remained unpublished and hidden in the tape cans, still unknown. The investigation began in 2018 and included a search that lasted even among the archives of photographers outside of Spain. “There are files in the film that not even TVE had digitized yet. The only person who appeared in the viewing record of those files was me, in 2011. In addition to digitizing that file, the Foundation digitized several cans by César Manrique himself, wonderful material, as well as unpublished material by Manolo Millares, Miró Mainou, Ramón Massats, Walter Fogel or Fachico, among others”, he says.

The second challenge, he explains, was in the hands of Fernando Gómez Aguilera, the play’s scriptwriter, biographer and director of the Foundation. With the clear goal of achieving a new cinematographic language, the script text required a different look: “The dialogue with Fernando Gómez Aguilera was wonderful. It was about getting a voice that challenged the images, getting out of the classic narrator with an off that tried to resemble Chris Marker’s Sans Soleil. Fernando managed to introduce the public to another staging layer of the archives themselves, go to other visions, look with greater significance, a greater reading of the documentary”, he points out.

find the look

The filmmaker explains that his career has been a journey of searching for his own gaze. On that trip, the direction of Taro. The echo of Manrique it was a before and after, “the discovery of feeling that I was really doing what I wanted to do”. From there, she let go.

The author, who has just participated in the Las Palmas de Gran Canaria Film Festival presenting his short film Ekaterina and a brief ‘pitching’ of his next feature film project (Wild is the wind), assures that the years have been showing him the path and that in recent years he has recovered the path of fiction. After feeling sensations back on this path with Ekaterinaa short film that, in addition, he had already presented at the Havana Film Festival, the filmmaker is already immersed in the development of Wild is the wind: “This is an intimate drama about redemption and salvation, a story about memory and hidden diversity. Verónica Franco (who is also the executive producer), the writer Roy Galán and I have worked together on the script. Very excited to get it off the ground and sure of the possible result”.

Perhaps the filmmaker has rediscovered that in the universe of fiction, the fascinating stories, the extraordinary ones, are capable of touching, through a very thin curtain, the most indisputable reality; in a very similar way to the fascinating, extraordinary stories that reality has provided for his documentary works. The public will have to wait.

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Miguel G. Morales: “The artist must touch society with his work”

In 1997, “Télérama” was enthusiastic about the very sharp prize list of the Cannes Film Festival
IN THE TELERAMA ARCHIVES – Abbas Kiarostami, Shobei Imamura, Youssef Chahine, Manuel Poirier… In 1997, the jury of the Cannes Film Festival presided over by Isabelle Adjani delivers a demanding list, distinguishing authors expressing a singular vision of the world and cinema. Flashback. This list will stand out. Under the so-called meticulous authority of President ... Read more

IN THE TELERAMA ARCHIVES – Abbas Kiarostami, Shobei Imamura, Youssef Chahine, Manuel Poirier… In 1997, the jury of the Cannes Film Festival presided over by Isabelle Adjani delivers a demanding list, distinguishing authors expressing a singular vision of the world and cinema. Flashback.

This list will stand out. Under the so-called meticulous authority of President Isabelle Adjani, demanding jurors displayed a bias that was no less so: without the slightest concession to diplomacy or commercial arguments, they singled out the authors, the real ones, those who build a film-to-film work, who express a singular vision of the world and of cinema. Often at their own risk. This is particularly striking for the major trio of winners: Abbas Kiarostami, Shohei Imamura (Palme d’or ex aequo) and Youssef Chahine (Prix du fiftieth Festival).

The very presence of the Iranian Kiarostami in competition was in itself an event. A victory against the “hardliners” of Tehran, who had retained The Taste of Cherry until the last moment, on the pretext that suicide – the central theme of the film – is, it seems, a taboo subject in the local censorship code. The answer to this ridiculous Ayatollesque pretext is this very elaborate film in the purity, where the unspeakable torments of a man who wants to end his life are approached with a constant dignity, while the reflection develops without s imposing, open, with a poetic simplicity.

In a way, the spontaneous ovation given to Youssef Chahine when the winners were announced constituted a triple tribute. To a profuse work, first, begun forty-seven years ago. To the film presented this year, then, this Fate shimmering, invigorating, where the inspiration of the filmmaker appeared to be regenerated, and for the best of causes: the call for tolerance. Tribute, finally, to the fight that the tireless man has been leading for ages in his country, Egypt, against censors of all stripes, for a cinema that lives, moves and makes people love life.

It is not sure that with Eel Shohei Imamura has signed a masterpiece. We are even certain of the contrary. From the opening sequence, we guess that the adventures to come should not be taken too seriously. When the hero stabs his wife, who cheats on him, blood spurts everywhere, including on the camera lens. We could not announce the color better: fanciful audacity will be an essential ingredient of the game. Like this eel which our man will make his most faithful companion, like all these agitated zigotos which populate the decoration, like this Japanese mamma who takes herself for a queen of flamenco. Imamura is amused by the heterogeneous situations he creates, where he confuses genres in a kind of somewhat wobbly, but rather “inflated” catch-all. We can suppose that this Palme which had escaped him in 1989 for a film otherwise important, black rainrewards his unusual position in the competition: he was elsewhere, against the current of the ambient darkness.

One would look in vain for some glaring misstep in this list. It is well deserved, the award given to Manuel Poirier and his exciting Western. In his fourth film, this radically “personal” author, attached to only directing what he knows, the “little people”, and filming them like no one else, takes a decisive step. We would also have liked one of the most original films in the selection, beautiful tomorrows, of the Canadian Atom Egoyan (see Telerama of last week), be distinguished with more brilliance. But, ultimately, the Grand Prix, crowning a film which invents, which innovates, suits it well. As for the Directing Prize, awarded to Wong Kar-wai for happy together, it could not be more judicious: the Chinese from Hong Kong is indeed one of the most inventive stylists of the moment.

It remains to be hoped that this “sharp” prize list will give a wider audience the desire to discover important but still quite confidential filmmakers. So, this fiftieth anniversary would really be a milestone…

THE 50TH FESTIVAL AWARDS

Palme d’Or
Ex aequo : The Taste of Cherry, by Abbas Kiarostami (Iran); and Eelby Shohei Imamura (Japan)
50th Cannes Film Festival Prize
Youssef Chahine for Destiny (Egypt) and all of his work
Grand Jury Prize
Beautiful tomorrowsby Atom Egoyan (Canada)
Staging
happy togetherby Wong Kar-wai (Hong Kong)
Best Actress
Kathy Burke in Do not swallowby Gary Oldman (Great Britain)
Best actor
Sean Penn in She’s so lovelyby Nick Cassavetes (USA)
Best Screenplay
James Schamus for icestormby Ang Lee (USA)
Jury Prize
Westernby Manuel Poirier (France)
Short Film Palme d’Or
Is it the design on the wrapper?by Tessa Sheridan (Great Britain)
Jury Prize for Short Film
Leonie, by Lieven Debrauwer (Belgium); and Vacationsby Emmanuelle Bercot (France)
golden camera
Suzakuby Naomi Kawase (Japan)
Mention Camera d’or
The Life of Jesusby Bruno Dumont (France)
Technical Higher Commission Award
Thierry Arbogast, chief operator of the Fifth ElementLuc Besson (France), and She’s so lovely
Prix ​​Gervais / Un certain regard
Marius and Jeannetteby Robert Guédiguian (France)
Cannes Junior Prize
The Perfect Circleby Ademir Kenovic (Bosnia)
Youth Prize
I hate loveby Laurence Ferreira Barbosa (France); bentby Sean Mathias (Great Britain)

Article published in the Telerama No. 2472 of May 28, 1997.

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In 1997, “Télérama” was enthusiastic about the very sharp prize list of the Cannes Film Festival

Sacrifice and demand: the hard way of pop divas to reach the top
Rosalía, Britney Spears, Beyoncé, Christina Aguilera, Taylor Swift, Dua Lipa, Camila Cabello… What do all these singers have in common? Exactly, they are some of the pop stars from before and now. Some are considered the greatest pop divas of history and others are on the way to achieving it. It cannot be lied about ... Read more

Rosalía, Britney Spears, Beyoncé, Christina Aguilera, Taylor Swift, Dua Lipa, Camila Cabello… What do all these singers have in common? Exactly, they are some of the pop stars from before and now. Some are considered the greatest pop divas of history and others are on the way to achieving it.

It cannot be lied about the fact that the demands of the industry and the public towards women artists are greater and to achieve relevance they have to be artists 360. Although the work is individual, all of them follow the same patterns in order to reach the top. Singing, dancing, having a good set and some memorable outfits These are some of the characteristics that these artists repeat.

Vocal ability combined with dancing

All our divas have one amazing vocal ability and are able to combine it with the dance without messing up a millimeter. The choreography teams do a 100% job to transfer the essence of the song to the dance and they succeed. Everybody’s got the moves in their head Beyonce in any of their performances, but they do not forget Single Ladies either Crazy In Love. It’s also hard to forget Britney Spears in the 2001 MTV Video Music Awards singing I’m a Slave 4Uwhere she not only sang and danced, but drew a snake around her neck while performing surrounded by a jungle-themed stage.

The same thing happens with more current artists and we find an example with Dua Lipa. She is demonstrating it in all her concerts, where the evolution at the level of dance that she has had is seen. A few years ago, the British made very limited steps and now she is able to dance Don’t Start Now either Levitating with enviable ease.

Nor is it necessary to go outside our borders to see a real diva. Our last representative in Eurovision, chanell, has amply demonstrated what it is to sing and dance brilliantly and leave the whole of Europe open-mouthed. Their SloMo is the perfect proof of how a good combination of these aspects can make a performance memorable.

A memorable scene

The set design is another of the most important aspects that pop divas carry behind their backs. The lights, the sets and even the water are the protagonists of the show and we could not think of a performance by these artists without some characteristic element of this type. Obviously, it requires a disbursement of money by the record companies, but if that is going to make it go down in memory, it is worth it.

madonnain 1990, she appeared at the MTV awards dressed in her own costume from the 18th century to interpret fashion. A performance that gave the sensation of watching the members of a palace of ancient royalty dance this well-known theme of the artist.

Rosalia is another example of how important the scenery is. His voice is more than enough for the audience not to take their eyes off the stage, but he does combine it by filling the place with dozens of people to sing. Say my name at the 2019 MTV EMAsmakes a performance of 10.

Taylor Swift It is also capable of innovating and turning any stadium in the world into a true revolution for its Reputation Tour, where there is even a giant snake moving. At the level of prizes, it does not disappoint either and an example is the medley that made his best-known songs in the 2019 American Music Awards. She combined her themes with a mix of color, dance and guests, like Camila Cabello, where she made it clear why she is one of the most influential artists in our current music scene.

eye-catching outfits

The demands on the artists to be all pop divas also go through wearing some striking outfits, although in line with the fashion that is worn at the time. The clothes worn by Christina Aguilera in the 2000s are not comparable to those worn by artists today because the trends are not the same. However, the pattern of wearing a good look has always existed.

On stage, yes there are extravagant costumes that remain in the memory. The same Christina Aguilera He took the stage of the MTV Movie Awards, in 2001, with a very sensual outfit with Lil Kim, Mya and Pink, to sing his mythical Lady Marmalade.

With more recent performances we can find Camila Hair singing, at the 2021 MTV VMAs, Don’t Go Yet. In addition to combining all the aspects mentioned above, such as dance or scenery, the Cuban dressed in a black dress with pink feathers and revealing a leopard bra. A combination that attracted attention and that she was perfect to sing one of her latest hits.

All these patterns are a formula for success that has worked for all the years, but they are also demands that are requested from the music industry and from the public itself, as a reflection of society.

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